Cinema by Other Means (2012) reflects on the history of experimental film from the 1910s to the present: it is a study of various avant-garde tries to practice the cinema by using the tools, the materials, the technology, and the techniques, which either modify or are entirely different from those associated with the standard film apparatus and emerge from the cinematic idea. Levi reflects on this concept especially on the example of Yugoslav avant-garde cinema.

The integral (Slovenian) version of this article can be found in the printed KINO!