The 57th edition of KINO! opens up the question of film’s materiality – whether it concerns the materiality of celluloid, the body, the gaze, or memory. The opening section, Found Footage / Archive, explores various aspects of archival and found footage filmmaking – from Périot’s Returning to Reims (Fragments) to Tscherkassky’s analogue aesthetics and Morrison’s poetics of decaying images. The ...
KINO! 48 examines the connections between films and music videos arising from the sensibility for filming music and musicalising film, collective critical engagement, video-like film sequences or filmic videos… Diverse reflections are accompanied by interviews with successful Slovenian music video directors (the Insan collective, Matevž Jerman and Niko Novak). The 130th anniversary of the birth...
The 57th edition of KINO! opens up the question of film’s materiality – whether it concerns the materiality of celluloid, the body, the gaze, or memory. The opening section, Found Footage / Archive, explores various aspects of archival and found footage filmmaking – from Périot’s Returning to Reims (Fragments) to Tscherkassky’s analogue aesthetics and Morrison’s poetics of decaying images. The ...
KINO! 48 examines the connections between films and music videos arising from the sensibility for filming music and musicalising film, collective critical engagement, video-like film sequences or filmic videos… Diverse reflections are accompanied by interviews with successful Slovenian music video directors (the Insan collective, Matevž Jerman and Niko Novak). The 130th anniversary of the birth...
Beyond the Genocide in Gaza. What is a Political Documentary Film Today?
