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uredništvo New release

New KINO! on the horizon

With a special thematic section, KINO! 45 looks at the visible and invisible (internal and external) landscapes that the Iranian master of poetic filmic ideography Abbas Kiarostami put on celluloid film. Within the fresh local and regional production (in the broader region of the so-called Yugosphere), it recognises the breakthrough nature of the new (anti-)newsreel by Nika Autor, a recipient o...

New release

The new issue has been published!

KINO! 43/44 brings a mix of new studies on filmmakers that the readers might be familiar with from previous issues (e.g. Jelena Maksimović and Ivan Ramljak), film classics (e.g. Agnès Varda and Frederick Wiseman) and new discoveries (e.g. Elsa Kremser, Levin Peter and Mariusz Wilczyński). The thematic section on cinema and animal ethics focuses on interesting contemporary film representations o...

KINO! New release

KINO! 42: Film and Architecture

In the spotlight of the new issue of KINO! is the relationship between film and architecture. Writers approach this relationship very differently. Peter Karba’s article is a theoretical examination of the formal and historical similarities and differences between film and architecture. The articles by Tobias Putrih and Celie Eckert and Nace Zavrl seek a connection between film and architecture ...

KINO! New release

KINO! 40/41: Pedro Costa, Miha Vipotnik ...

KINO! 40/41 brings formally diverse analyses of contemporary breakthrough films, a series of interviews with selected filmmakers, a study of the oeuvre of the unique Portuguese filmmaker Pedro Costa and a thematic block dedicated to Miha Vipotnik, a Slovenian director of short experimental videos and films. The School Period section continues the discussion on genre films, while select studies ...

KINO! France Brenk Award

2019 France Brenk Award

Last Thursday, the 2019 France Brenk Award for outstanding achievements in the field of film culture was presented to Matjaž Ivanišin for his masterpiece Oroslan(2019)!! With each new work Ivanišin invents a new relationship between fiction and documentary. Following the method of subtraction - a series of situations slowly cleaned to the core - Ivanišin built a simple film world. Based on Zdr...