In the thematic block on film and sound, the authors consider the inscription of the subject in sonic materiality (Tarkovsky), sound as a medium of the unheimlich and the soundscape beyond the soundtrack (Lynch), the investigation of how film materializes the horrors of genocide through sound (Glazer), and silence (Brakhage). With the interweaving of a variety of texts – from mini-notes to studies – we continue with the Revolt! section from the previous issue. We also look at humor in high-profile animated series, sketch out the characteristics of Mediterranean drama in diferent periods, and the film and TV studies – peer-reviewed section – is taken up by Disney’s Bambi. Pillow Shots (after Ozu) cross the texts and serve as a break.