Kelly Reichardt: Slow Cinema and Returning to Reality

The article presents Kelly Reichardt’s work, focusing on Meek’s Cutoff (2010) and Certain Women (2016). In the first part, we present the ways the director explores form and content, placing her work in the context of the slow cinema tradition. In the second part, we present the main points in terms of the themes and content of both films and connect them with the formal aspects through interpretation.

The integral version of this article can be found in the printed KINO!