The (Non-)Self-evidence in the Representation of Otherness

The article investigates the issue of frequent slippages in the representation of otherness, which is often not complex enough, and shows how Border (Gräns) tries to pervert such representation. It investigates the central characters of the film at the intersection of otherness and concludes that, through the absence of idealization, they approach the contextualization of otherness in the world in a politically complex manner.

The integral version of this article can be found in the printed KINO!