The 57th edition of KINO! opens up the question of film’s materiality – whether it concerns the materiality of celluloid, the body, the gaze, or memory. The opening section, Found Footage / Archive, explores various aspects of archival and found footage filmmaking – from Périot’s Returning to Reims (Fragments) to Tscherkassky’s analogue aesthetics and Morrison’s poetics of decaying images. The ...