In her latest film The Love Witch (2016) the film director Anna Biller once again reflects on the absurdity of gender roles, inequality and on the image of woman in the modern society. Filmed in Technicolor, on 35mm the film pictures the inner world of a woman in a inovative way. In the interview the author reflects on her new film through the lense of feminism, female gaze and it’s aesthetics.

The integral version of this article can be found in the printed KINO!