KINO! 28/29

Peter and Tom. (Letter to Branko), Pavle Levi

Chantal Akerman: Filmography of Obssession, Tina Poglajen

Chantal Akerman, A Film Nomad, Jasmina Šepetavc

Mother, Koen van Daele

Mother, Miklavž Komelj

Notes on film Mama, Helena Koder

Son of Saul and a New Representation of Intolerable Images, Andrej Šprah

The Glorious 70, Anja Banko

Whit Stillman + Jane Austen: Love and Friendship, Tina Poglajen

Be My Bug: Entering the Fantasies of Robert Morgan, Robert Kuret

Falling for The Love Witch. An interview with Anna Biller, Harriet Warman

Final Girl: The Androgynous Victim-Hero, Maša Peče

Following Final Girl: Spectatorship and Gender from Hitchcock to Tarantino, Tina Poglajen

“Suck It, Bitch!”, Anja Banko

Beyond the Hills: from Thessaloniki to Palm Springs, Michael Pattison

Sexual Emancipation and the Maturing of Youth Films, Jernej Trebežnik

Disidentification in/on/of Film. The Transaesthetic in the Aesthetic Regime, Nenad Jelesijević

About Scheherazade, Gesture, Myth and Collage, Rok Govednik

Wagon to the Stars: 6 Films, 2 Men, 1 Shatner, Jure Godler, Anže Tomić

Exhibiting Films and Respect: a Few Notes on Film Exhibition from the Perspective of a Film Museum, Jurij Meden

Film Phoenix Miklos Jancsó?. Liberty of Cinema. The International (Co-)Productions of Miklos Jancsó, Filmkolektiv Frankfurt, Gregor Zamuda

The Power of the Film Idea. Cinema by Other Means, Pavle Levi, Peter Cerovšek

Woman and the Other Others in The Knick. Chirurgical Precision of the Countergaze of Your TV Gaze, Pia Brezavšček

Revealing Gender Roles and Identities in Transparent, Bojana Bregar

Mama. Filmmaker's Diary, Vlado Škafar

Speech on Rostov-on-Don, Velimir Hlebnikov

Poems from Legacy, Srečko Kosovel