Misho Antadze’s The Harvest (Mosavali, 2019) shows a possible revolution in human history: capital will start to produce itself on its own. This idea is connected to the visions of left accelerationism (Srnicek, Williams), according to which total automatisation makes possible a future utopia, and right accelerationism, which does not want to ignore the possibility that total automatisation will lead to the elimination of human categories.

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