KINO! 39

Table of Contents


Oroslan!. A Conversation with Matjaž Ivanišin and Miki Roš, Maja Krajnc

Cinematic Milestones: Stories from the Chestnut Woods, Jasmina Šepetavc

From Workers to Caretakers: Accelerationism and Its Visions in Misho Antadze’s The Harvest, Robert Kuret

From Soldiers to Slaughterers: On Chris the Swiss, Andrej Tomažin

Drawing and Its Imitation, Oskar Ban Brejc

»The definitive future of the cinematic art is documentary film«. A Conversation with Nebojša Sljepčević, Maja Krajnc

The Grey Everyday of the Zemun Youth: » wonder and have no sense«, Andrej Grandovec

Cristina Pinto, Daughter of Naples, Žiga Fabjan

»I think that all men are transformations of close interpersonal relationships from childhood«. An Interview with Siniša Gačić, Zala Žagar


About Freedom in the Times of Speciesism, Nenad Jelesijević

Being Political in the Age of Nihilism. A Short History of the Kourtrajmé Filmmaking Collective, Matic Majcen

Alice Rohrwacher: The Abstractness of Lazzaro, Matija Jan


The Shift of Perspectives Methodical Suggestions for the Comparison of Ali: Fear Eats the Soul (Fassbinder) and Head-On (Akin), Bettina Henzler, Stefanie Schlüter

The Views of Some Teachers that Participated in the Understanding Film Project on Film Education, Barbara Zorman

Film Workshop – Ridley Scott's Blade Runner, Samo Krušič, Marko Štempihar

International Documentary Film Workshop Luksuz produkcija 2019, Ostrenje pogleda


The Collision of Discreet Authenticity and the Glorification of Youth in Jelena Gavrilović’s Short Fiction Films, Matic Majcen

On the (Inter)Action of Young People in the Region, Jernej Trebežnik

Girls, Where Are You?, Veronika Zakonjšek


Kevin Jerome Everson, the Abstract Ideal, Greg de Cuir Jr.

A Demand for Presence. A View on Kevin Jerome Everson’s Portraits of Workers, Robert Kuret


A Life on a Filmstrip, Jasna Pintarič


Euphoria and the Placement of Ideology, Primož Krašovec

“Cunnilingus and Psychiatry Brought Us to This”. On the Strong, Quiet Type of a Man in The Sopranos, Andraž Jerič


Note of a Participant, Luka Cvetko