The text focuses on The Human Surge 3 (El auge del humano 3, 2023) by the Argentine filmmaker Eduardo Williams. It focuses on the specific way Williams distinguishes shooting from framing by using a 360-degree VR camera and framing the shots later by himself controlling the VR headset. The text focuses on the ways Williams’ modification of the common way of shooting affects the way the diegetic world functions and the way it changes the working of cinematic tools. At the end, the text considers human vision alongside computer vision in the film.

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