In the article, the author defends the thesis that Deleuze’s Time-Image is the key to understanding his fundamental concept: inclusive disjunctions… How does the concept of time-image differ from image-movement, or modern film from the classical one? At the same time, he answers the question of how Deleuze understood ethics and what the black and white screens have to do with all of this.

The integral version of this article can be found in the printed KINO!