KINO! 49/50
Table of Contents
IN MEMORIAM
Puriša Đorđević, the Poet of our Film,
EMA KUGLER
Ema Kugler’s Organic Film: Between Image and Text,
Perspective in Ema Kugler’s Films,
Two Notes on the Physical Principles of Ema Kugler’s Worlds,
INTERVIEW
Without her own home and with unpaid work to Prešeren Award. Interview with Ema Kugler,
Shelter. Interview with Nadja Šičarov,
Nostalgia is a form of death. Interview with James Benning,
BREAKTHROUGHS
Mia Hansen-Løve: Patient Narrative,
Don’t Think It Will Ever Pass,
Partisan Memory from Below: Landscapes of Resistance,
Becoming a Wall in Their House,
On Tenderness and Its Film(ic) Articulation (During the Fall of the Empire),
SHARPENING THE VIEW
Screen, Black as a Negro 3: From the Black Under the Nails to the White Screen,
REFLECTION
Maybe Again Sometime. Sustainable Preservation of Film Heritage,
The Opinion Leader as a Rebel Without a Cause: The Ideology of the Nineties Through Hollywood,
HISTORICITY OF FILM
TELEVISION
BOOKS
On the Actuality of the Non-existent,
FILM AND TV STUDIES – PEER-REVIEWED
Failed Bodies: On Ulrich Seidl’s Films,
PILLOW SHOTS
Experiment, Improvisation as the Queen of the Situation. About Marta Fakuch's Cathartic Journey,
ABSTRACTS
18.50 €
Ema Kugler ...
With its thematic section, KINO! 49/50 pays tribute to Ema Kugler, whom Sabina Đogić conversed with in an extensive, honest and scintillating interview. The set of interviews consists of conversations with Slovenian and foreign theoreticians and practitioners (James Benning has, for example, returned to the pages of KINO!). The Breakthroughs section brings reflections on the more prominent works of contemporary Slovenian and foreign production, among others, Aftersun (2022) and Tomaž Grom’s experimental film Don’t Think It Will Ever Pass (2023). Anže Okorn has contributed the third part of his series of texts on Deleuze, inclusive disjunction and, this time, Syberberg’s Hitler. In the School Period section, Stojan Pelko discusses (the) film(ic) in Wenders’s State of Things (Der Stand der Dinge, 1982). Andrej Šprah has reviewed Rajko Grlić’s Še ne povedane zgodbe. Oskar Ban Brejc has contributed his scientific paper on the failed bodies in Ulrich Seidl’s films to the reviewed section Film and Television Studies. In celebration of the fiftieth issue, we have also published a substantial selection of pillow shots by incisive poets: Ana Pepelnik, Urša Majcen, Tone Škrjanc, Blaž Božič, Primož Čučnik, Andreja Štepec, Sergej Harlamov and Lukas Debeljak. Particular topics, such as the sustainable aspect of cinema, sneak from one section to the next…