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KINO! 27

Table of Contents

FILM THEORY

Use of Time in Film: Interview with Jacques Rancière, Rok Benčin

SYMBOLIC

The End of a Picnic, Miha Žargi

Canal Dreams: My 32 Years of Don't Look Now, Neil Young

A Mystery to the Key, Bor Pleteršek

To Follow that It, which Follows, Pia Brezavšček, Jernej Kaluža

BREAKTHROUGHS

Raise Your Body to the Sun!, Anja Banko

HISTORICITY OF FILM

The Hermit’s Dreams, Anja Banko

Historicization of Film Image in Jean-Luc Godard’s films, Simon Smole

Nobody like Him – Spaghetti Western as the Irony of Moral Perfectionism, Tomaž Grušovnik

BOOKS

Archives as the Doors to the Future. Archive Fever, Jacques Derrida, Anja Banko

How Films Get to Us. Shadow Economies of Cinema, Ramon Lobato, Rok Govednik

TELEVISION

Twin Peaks and Repetition, Mirt Komel

When the End Is just the Beginning: The Systemic Indefinability of (Non)subversive Mad Men, Nina Cvar

Police, Adjective: Cliché, Crime and Cartography in True Detective, Michael Pattison

Slippin' Jimmy, Bor Pleteršek

PILLOW SHOTS

Situation on Frontiers, Ana Pepelnik

California Eulogies: Jenni Olson’s The Royal Road and Travis Wilkerson’s Machine Gun or Typewriter?, Michael Pattison, Neil Young

Violent Women, Tina Poglajen, Harriet Warman

How Do I Judge Film Art (School Essay), Jure Detela

ABSTRACTS

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KINO! magazine is financially supported by the Slovenian Book Agency. / Education programme Sharpening the Gaze is supported by Slovenian Film Centre and The Municipality of Ljubljana. / © 2023 Kino!