KINO! 22

The Disintegration of Yugoslavia on Film

Table of Contents

DISINTEGRATION IN FRAMES

New Yugoslav Film: Filmic Response to the Label of “Black” and The Emergence of Cinematic Political Aesthetics, Gal Kirn

Counter-Godard: On Makavejev’s Anti-formalism, Sezgin Boynik

Writing Oneself with the Gaze: Ante Babaja’s Dobro jutro, Diana Nenadić

Cinema Antikomunisto or How Ideology Moves Nothing. Part I, Slobodan Karamanić, Ivana Momčilović

New Serbian Film: Wave, Movement or Fancy?, Ivan Velisavljević

Interculturality, Transnationality and Recent Croatian Film, Saša Vojković

Marija’s Own, Marija Katalinić

Damir Radić’s Films, Dragan Jurak

History, Memory, Post-Yugoslav Cinema: Documentary Representations of Yugoslavia, Sanjin Pejković

BREAKTHROUGHS

Spring Breakers: Feverish Dreams of Hyperreality, Matevž Jerman

Pop mythology of Spring Breakers, Bojana Bregar

ABSTRACTS