KINO! 30

Absence of a Certain Sound as Its Fundamental Presence: Hydra Decapita, Andrej Tomažin

The Intrusion of Noise and (Female) Pleasure, Revolt against Dominative Logics, Patricidal Fantasies, Marko Karlovčec

Roadshow: Postwar Musical and Tour Distribution, Nace Zavrl

Let Hollywood Burn. How Hip-Hop Found Its Way into Films and How It Changed Film Language, Borja Močnik

Film Music or How to Offend Both Arts with One Term. Case Study: Rohmer, Nika Jurman

Wagner and Syberberg’s Lesson on the Incommensurability of the Aural and the Visual World, Miklavž Komelj

About Showering, Whistling, Hanns and Hans or Fourteen Ways to Describe Rain, Nejc Pohar

M as in Murch, Ičo Vidmar

What Happened That Tarantino “Used” Morricone for the First Time in His Career?, Matija Dolenc

All the Small Things. Some Observations and Thoughts on the Use of Popular Music in the American Pie, Michael C. Jumic

If You Were Not There, You Cannot Remember, Igor Bašin

Playful Playing, Boštjan Narat

Images and Sounds from The Familly Garden, Anja Banko

Film Language of Music Videos, Jernej Trebežnik