KINO 34/35

Table of Contents

BREAKTHROUGHS

Eroticism and Horror, Female and Male Monsters: Queen Kong and The Beast, Tina Poglajen

Men playing, Kristian Božak Kavčič

The Austerity Aesthetics, Jernej Trebežnik

A Meteor Intervention into the Political Repression of a Certain Time, Veronika Zakonjšek

The News Belongs to Us!. The Slovenian project at the 57th International Art Exhibition – La Biennale di Venezia, Andrej Šprah

BERLIN SCHOOL

Wild East: Valeska Grisebach's Western, Tina Poglajen

The Morphology of Being Stuck, Petra Meterc

Phantom Threads: Tracing Doubles and Place in the Films of Christian Petzol, Michael Pattison

HANA JUŠIĆ

Hana Jušić Esthetique: »ugliness, dirtiness and beauty«. An Interview with Hana Jušić, Maja Krajnc

Stare at my Film, Varja Močnik

Searching for Freedom, Robert Kuret

Swimming between Restlessness and Marginalization, Jernej Trebežnik

FRANCE BRENK AWARD 2017

A Reflection on Life. An Interview with Vid Hajnšek about The End, Maja Krajnc

Death Will Be Strenuous: Drudgery and The End, Nace Zavrl

A View from the Afterworld, Robert Kuret

HOME AND AMATEUR CINEMA

Wittgenstein Tractatus. Personal Reflections on Home Movies, Peter Forgács

Home Cinema and the Typologies of Film Reduction, Paolo Caneppele

“The 9½mm colour film is here!”. The Sensation of Colour in “Mroz-Farbenfilm”, Stefanie Zingl

HISTORICITY OF FILM

»I go through these days with a feeling of unreality«: A Miniature Sketch of Unrecognisableness, Andrej Tomažin

Wiseman, Confrontation no. 1, Matic Majcen

Too Early to Say: 1968, Michael Pattison, Neil Young

(Exercises) in Search of the Lost Moments (of Silence), Bratko Bibič

SCHOOL HOUR

The Development of the Actor’s Feeling for Improvisation: Lee Strasberg’s Method, Vesna Kuzmić

BOOKS

Life Itself. James Benning’s Environments: Politics, Ecology, Duration, Edited by Nikolaj Lübecker and Daniele Rugo, Michael Pattison

TELEVISION

O.J.: Made in America in the Context of (Re)Constructing the Perspective on Race Relations and the Representation of African Americans, Ana Šturm

PILLOW SHOTS

I Look with the Eyes of Camera, I Listen with the Ears of Microphone. (fictocritic), Tomaž Grušovnik

Vladimir Vasilijevič Fefer. From Being Friends with Veno Pilon to Being a Secretary to Sergej M. Eisenstein, Ravel Kodrič

Five songs from Stigmatisation, Miklavž Komelj

ABSTRACTS