KINO! 43/44
Table of Contents
Breakthroughs
Observational Ode to Organic Solidarity,
Let Poetic Justice Prevail. Unveiling the Creative Process of Jelena Maksimović’s Homelands,
On the Way from Myself to a Friend,
Domesticated Spaces Gone Wild,
Behemoth in Lodz: Kill It and Leave This Town,
Film and Animal Ethics
The Curse of Carnivores and the Bloody Progress,
How to Universalise the Cat Species. On Kedi,
Reflection
Filmic Pandemic Pasts and Futures: The Case of New Queer Cinema,
The Time of Jep and the Time of Victoria: Love and Pleasure between Boomers and Millennials,
Best Regards from Ljubljana
On the Structure of Public Conflict: ŠOU–RŠ, MOL–ROG etc.,
School Hour
Vagabond: Agnès Varda on a Journey between Realism, Feminism and Post-modernism,
Books
A Newly Opened File on Jean Painlevé,
Television
My Brilliant Friend: An Extreme Close-up of Gender Inequality,
Film and Video Games
Video Games and Films: Forward into the Past,
The Audiovisual, Aesthetic and Experiential Side of Video Games and Films,
The Convergence of Films and Video Games. The Historical Connection between Video Games and Films,
Pillow Shots
Never Outside the Cinema Again,
An Impression on the Begining of Contemporary Ljubljana,
Abstracts
17.00 €
Film and animal ethics...
KINO! 43/44 brings a mix of new studies on filmmakers that the readers might be familiar with from previous issues (e.g. Jelena Maksimović and Ivan Ramljak), film classics (e.g. Agnès Varda and Frederick Wiseman) and new discoveries (e.g. Elsa Kremser, Levin Peter and Mariusz Wilczyński). The thematic section on cinema and animal ethics focuses on interesting contemporary film representations of animals, whose ethical implications are discussed by Tomaž Grušovnik, Anja Radaljac, Oskar Ban Brejc, Muanis Sinanović and Aljaž Krivec. The largest part of this issue consists of a group of theoretical studies on the relation between films and video games; the traces that games leave on films – and films on games – are discussed by Melita Zajc, Robert Kuret, Muanis Sinanović, Matej Trontelj and Domen Mohorič. In addition to the film-related texts, this issue of KINO! also includes contributions on public conflicts between certain institutions in Ljubljana; the texts about ROG and the City of Ljubljana and Radio Študent and the Student Organisation of the University of Ljubljana (ŠOU) were written by Jernej Kaluža, Izidor Barši and Rastko Pečar, Peter Karba and Vid Bešter. Perhaps even more explicitly than the previous ones, this issue of KINO! is an attempt at finding the only way / to be attached / to history / to human time – as read Muanis Sinanović’s verses that open KINO! 43/44 as an epigraph.